
Kate Metten Espresso Cup


Crafted for both beauty and functionality, this 5oz wheel-thrown stoneware espresso cup brings a refined touch to your daily coffee ritual. Created by Kate Metten Ceramics in Vancouver, each piece reflects a local maker’s care and precision and a commitment to sustainable design. These are the espresso cups hand-selected to be used in Nimmo Bay’s own restaurant, Little River.
Its elevated silhouette features angled walls that help retain warmth, enhancing the flavour and aroma of your espresso. The dainty handle is thoughtfully designed to fit comfortably around one finger, offering both sophistication and practicality.
Made using a zero-waste model that incorporates recycled clay and locally sourced raw materials, this mug is as environmentally conscious as it is beautiful. Finished in a rich black velvet glaze, it’s a timeless addition to any kitchen or coffee corner. Fully microwave- and dishwasher-safe, it blends uniqueness with modern convenience.
Whether you’re beginning your day or taking a quiet moment to yourself, this espresso cup invites you to slow down and savour—just as we do at Nimmo Bay.
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Contents
5 oz.
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Care Instructions
Durable and dishwasher-safe, it’s designed for everyday use while retaining its artisanal charm.
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Additional Details
Crafted from eco-conscious materials and finished using sustainable practices, each piece is a testament to mindful craftsmanship.
About Kate Metten
Kate Metten (born 1991, Vancouver, Canada) is an interdisciplinary artist whose material investigations into oil painting and ceramics deal primarily with the language of abstraction. Working at the intersection of those two histories allows a flexibility to address painterly concerns with clay, research into colour theory, visual perception and the still life, while also reflecting on Modernist philosophies of the Bauhaus, the unmaking of craft and material hierarchies. She is deeply concerned with phenomenology and the physicality of form. The internal logic of her artwork is determined by intuitive construction and response to material; Images and objects arise out of multi-layers of decision making to develop forms that are at once recognizable yet unfamiliar. The indexical quality of both painting and ceramic render dynamic impressions of mass and surface that preserve evidence of the hand and mind in motion. Metten’s preoccupation with the mechanics of looking, the psychological play of optical illusions, and our brain’s response to reductionist imagery confronts the viewer with the conditioning of their own perception.
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