Kate Metten Bauhaus Teapot
Inspired by the clean lines and purposeful simplicity of Bauhaus design—a 20th-century movement that united art, craft, and function—Kate Metten’s Bauhaus Teapot blends modern sophistication with timeless utility. Its minimalist silhouette balances geometric precision with organic flow, creating a sculptural piece that elevates any table setting.
Meticulously handcrafted and finished with a soft matte glaze in velvet black, the teapot offers both visual richness and a tactile, velvety touch. Functional as it is beautiful, it’s dishwasher- and microwave-safe—making it perfect for everyday rituals while also serving as a striking statement piece.
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Contents
4.5 cups
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Care Instructions
Durable and dishwasher-safe, it’s designed for everyday use while retaining its artisanal charm.
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Additional Details
Crafted from eco-conscious materials and finished using sustainable practices, each piece is a testament to mindful craftsmanship.
About Kate Metten
Kate Metten (born 1991, Vancouver, Canada) is an interdisciplinary artist whose material investigations into oil painting and ceramics deal primarily with the language of abstraction. Working at the intersection of those two histories allows a flexibility to address painterly concerns with clay, research into colour theory, visual perception and the still life, while also reflecting on Modernist philosophies of the Bauhaus, the unmaking of craft and material hierarchies. She is deeply concerned with phenomenology and the physicality of form. The internal logic of her artwork is determined by intuitive construction and response to material; Images and objects arise out of multi-layers of decision making to develop forms that are at once recognizable yet unfamiliar. The indexical quality of both painting and ceramic render dynamic impressions of mass and surface that preserve evidence of the hand and mind in motion. Metten’s preoccupation with the mechanics of looking, the psychological play of optical illusions, and our brain’s response to reductionist imagery confronts the viewer with the conditioning of their own perception.
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